How did you come to develop your symbols?

You have referenced jazz music in some of your titles. How do you see your work as having a connection to jazz?


How did you decide to transition from depicting symbols on a two-dimensional surface to covering entire environments with them?


Could you tell us about your installation at The Warehouse?


How do different media – paint, tape, marker – affect your process of creating the symbols?


Is there a response or reaction you’d like the viewer to have in these environments?