How did you come to develop your symbols?
You have referenced jazz music in some of your titles. How do you see your work as having a connection to jazz?
How did you decide to transition from depicting symbols on a two-dimensional surface to covering entire environments with them?
Could you tell us about your installation at The Warehouse?
How do different media – paint, tape, marker – affect your process of creating the symbols?
Is there a response or reaction you’d like the viewer to have in these environments?