“Wandering as a permanent position” is how Japanese artist Yukinori Yanagi (born 1959, Fukuoka) has long described his stance as an artist—unattached to any fixed notion of national or artistic identity. Beginning in 1989, the year of Emperor Hirohito’s death and the close of the Shōwa era, he set out to dissolve the nation’s fixed...

Artists have long used the human figure to reflect on societal anxieties and psychological traumas. In Our Image: The Fragile Body in Contemporary Art brings this tendency into the present moment. By gathering works from The Rachofsky Collection and the Hartland & Mackie / Labora collection, alongside private and institutional loans, the exhibition draws on...