Exhibitions

  1. Troy Brauntuch: Rodeo

    September 27, 2025 - January 31, 2026

    In 2022, The Warehouse launched the WAREHOUSE:01 project, an annual exhibition of a single artist. The project offers an artist the opportunity to create a new body of work and to experiment with the display of their work in the spaces of The Warehouse. In our fourth iteration of WAREHOUSE:01, American artist Troy Brauntuch debuts...
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  2. Natural Mystics

    September 27, 2025 - January 31, 2026

    Art is never reasonable. It is not logical and has no utilitarian value. In a world obsessed with efficiency, the role of the artist is to introduce friction. The artists in Natural Mystics employ magical and otherworldly thinking that gum-up the works and create this productive friction. Drawing from both the Rachofsky and the Hartland...
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  3. Double Vision: The Rachofsky Collection and the Hartland & Mackie / Labora Collection

    February 15 - June 28, 2025

    The inaugural exhibition of the newly formed Warehouse Dallas Art Foundation offers a glimpse at two collections—The Rachofsky Collection, created over the past 40 years, and the Hartland & Mackie / Labora Collection, developed over the last decade—foregrounding the potent and inventive interplay that will serve as a guiding principle for future programming at The...
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  4. Francesca Mollett: Elsewhere

    February 15 - June 28, 2025

    In 2022, The Warehouse launched the WAREHOUSE:01 project, an annual exhibition of a single artist whose work we are compelled to view in more depth. The project offers an artist the opportunity to select the gallery (or galleries) for their work at The Warehouse, and to experiment with the display and creation of work specifically...
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  5. Nicolas Party: Ewe in the Field

    September 7 - November 30, 2024

    Nicolas Party: Ewe in the Field features two galleries of work by Nicolas Party, the 2024 TWO x TWO honored artist. Curated by the artist, these galleries include pieces from the Dallas Museum of Art’s collection alongside a number of loans, and they are evidence of the formal and emotive depth of Party’s explorations of...
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