-
Chase a Crooked Shadow: Film Noir as Contemporary Mirror
Film noir did not arrive with a manifesto. It emerged gradually in the years surrounding World War II, as filmmakers struggled to give form to a world marked by economic collapse, global conflict, and institutional failure. From the early 1940s through the late 1950s, film noir crystallized not as a genre, but as a style...Learn More -
Yoshitaka Amano
For more than fifty years, Japanese artist Yoshitaka Amano has defied and transcended expectations of genre, style, medium, audience, and geography. Propelled by an unyielding pursuit of creative evolution, Amano’s output forms a vast universe in which narratives and motifs interweave, converse, and come apart across a variety of media. To match the scope of...Learn More -
Troy Brauntuch: Rodeo
In 2022, The Warehouse launched the WAREHOUSE:01 project, an annual exhibition of a single artist. The project offers an artist the opportunity to create a new body of work and to experiment with the display of their work in the spaces of The Warehouse. In our fourth iteration of WAREHOUSE:01, American artist Troy Brauntuch debuts...Learn More -
Natural Mystics
Art is never reasonable. It is not logical and has no utilitarian value. In a world obsessed with efficiency, the role of the artist is to introduce friction. The artists in Natural Mystics employ magical and otherworldly thinking that gum-up the works and create this productive friction. Drawing from both the Rachofsky and the Hartland...Learn More -
Double Vision: The Rachofsky Collection and the Hartland & Mackie / Labora Collection
The inaugural exhibition of the newly formed Warehouse Dallas Art Foundation offers a glimpse at two collections—The Rachofsky Collection, created over the past 40 years, and the Hartland & Mackie / Labora Collection, developed over the last decade—foregrounding the potent and inventive interplay that will serve as a guiding principle for future programming at The...Learn More
