Nobuo Sekine
Japanese, 1942–2019
-
Nobuo Sekine
Japanese, 1942–2019
Phase No. 10, 1968
Wood, oil-based paint, and FRP
68 1/2 x 72 1/2 x 24 3/4 inches (174 x 184 x 63 cm)
The Rachofsky Collection and the Dallas Museum of Art through the TWO x TWO for AIDS and Art Fund
-
Nobuo Sekine
Japanese, 1942–2019
Phase–Mother Earth, 1968/2012
Earth and cement
106 1/4 x 86 1/2 x 86 1/2 inches (269.9 x 219.7 x 219.7 cm
The Rachofsky Collection
-
Nobuo Sekine
Japanese, 1942–2019
Phase–Mother Earth, 1968/2012
Earth and cement
106 1/4 x 86 1/2 x 86 1/2 inches (269.9 x 219.7 x 219.7 cm
The Rachofsky Collection
-
Nobuo Sekine
Japanese, 1942–2019
Phase of Nothingness–Cloth and Stone, 1970/1994
Cloth, stone, rope, and panel
94 1/2 x 89 1/2 x 7 7/8 inches (240 x 227.3 x 20 cm)
The Rachofsky Collection and the Dallas Museum of Art through the TWO x TWO for AIDS and Art Fund
-
Nobuo Sekine
Japanese, 1942–2019
Phase of Nothingness, 1970/2011
Stainless steel and granite
Approximately 168 x 163 x 84 inches overall (427 x 414 x 213 cm)
The Rachofsky Collection
-
Nobuo Sekine
Japanese, 1942–2019
Phase of Nothingness, 1970/2011
Stainless steel and granite
Approximately 168 x 163 x 84 inches overall (427 x 414 x 213 cm)
The Rachofsky Collection
-
Nobuo Sekine
Japanese, 1942–2019
Phase of Nothingness, 1970/2011
Stainless steel and granite
Approximately 168 x 163 x 84 inches overall (427 x 414 x 213 cm)
The Rachofsky Collection
-
Nobuo Sekine
Japanese, 1942–2019
Phase of Nothingness, 1970/2011
Stainless steel and granite
Approximately 168 x 163 x 84 inches overall (427 x 414 x 213 cm)
The Rachofsky Collection
Phase No. 10,
Phase–Mother Earth,
Phase–Mother Earth,
Phase of Nothingness–Cloth and Stone,
Phase of Nothingness,
Phase of Nothingness,
Phase of Nothingness,
Phase of Nothingness,
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The Warehouse Exhibitions
Open Storage: 25 Years of Collecting
Curated by Allan Schwartzman | August 26, 2022 - April 29, 2023
Tender Objects: Emotion and Sensation after Minimalism
Curated by Department of Art History in the Meadows School of the Arts at Southern Methodist University | January 21 - May 28, 2022
Geometries On and Off the Grid: Art from 1950 to the Present
Curated by Allan Schwartzman | February 2 - December 6, 2015
Parallel Views: Italian and Japanese Art from the 1950s, 60s, and 70s
Curated by Allan Schwartzman | February 17, 2013 - February 2, 2014